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A Hero of Our Time

Mikhail Lermontov

Paperback | Pages: 185 pages

Rating: 4.11 | 45339 Users | 1415 Reviews

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Original Title:	Герой нашего времени
ISBN:	014044176X (ISBN13: 9780140441765)
Edition Language:	English
Characters:	Pechorin
Setting:	Caucasus

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In its adventurous happenings, its abductions, duels, and sexual intrigues, A Hero of Our Time looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and '30s. In the character of its protagonist, Pechorin, the archetypal Russian antihero, Lermontov's novel looks forward to the subsequent glories and passion of Russian literature that it helped, in great measure, to make possible.

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Title	:	A Hero of Our Time
Author	:	Mikhail Lermontov
Book Format	:	Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 185 pages
Published	:	August 30th 1966 by Penguin Classics (first published 1840)
Categories	:	Classics. Cultural. Russia. Fiction. Literature. Russian Literature

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Ratings: 4.11 From 45339 Users | 1415 Reviews

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This novel... Wow. Hailed as a seminal influence on the works of subsequent Russian authors such as Tolstoy, Dostoyevsky, and Chekhov, A Hero Of Our Time effortlessly straddles both Romanticism and Realism, a style still in its nascence during Lermontov's own time. The book revolves around Pechorin, the hero the title refers to, a Russian soldier posted to the Caucasus, who embodies the spirit of the Byronic hero, in its Russian form : The superfluous man - Aristocratic, brooding, licentious,

The story of a mans soul, even the pettiest of souls, is only slightly less intriguing and edifying than the history of an entire people, especially when it is a product of the observations of a ripe mind about itself, and when it is written without the vain desire to excite sympathy or astonishment. Driven by an early infatuation with Romanticism, tempered by subsequent disillusions, Mikhail Lermontov constructed his only novel around the troubled personality of a young Russian officer, exiled

There is something in A Hero of Our Time that even time is powerless to destroy. The novel is full of everlasting feelings and motives that ruled human beings in ancient times and keep ruling now.I was so delighted to be so high above the world: it was a childlike feeling, I wont deny it, but withdrawing from the demands of society, and drawing near to nature, we become children without meaning to, and everything that has been acquired falls away from the soul and it becomes as it once was, and

A Hero of Our Time, part swashbuckler, part travelogue, which first appeared in 1839, cleary had an influence over another certain famous Russian writer who sported a great big long grey beard. Infact this could quite easily have been written by Tolstoy himself. Opening in a vast landscape, the narrator is travelling through the Caucasus, he explains that he is not a novelist, but a travel writer, making notes. Think a sort of Paul Theroux type. The mountainous region were supposedly fabled,

For a brief period after Pushkins death, Lermontov was Russias noted writer. He was the Byron of his time, with his romanticized ideals, novel without plot featuring his noted antihero. Ive returned lately to Nabokov and am taking his advice on what to read (oddly, his favourites re-affirm the suggestions friends have lately given me).Nabokov writes:It would seem that all the veneration elderly critics have for A Hero is rather a glorified recollection of youthful readings in the twilight, and

Main Character is a sad toxic bastard who sucks the life out any woman he seduces.5 stars for spot-on description of sad waste of space. And don't give me shit about a lost generation and blah blah blah. I don't want to hear about it.

One of the most interesting, eye-opening books I've read. I'm not that familiar with Russian literature, but the more I read, the more I'm falling in love with them. This book has got to be one of the most extended, sustained meditation on the egotistical mind of a young casanova. But strangely, the novel doesn't make me despise its protagonist. There is something intriguing, almost refreshing about the calculated cruelty yet disarming honesty of the protagonist. He knows he can't commit and